In researching the options for VibroAcoustic therapy, I came across the Solfeggio Frequencies and became very interested in the possibilities of playing these frequencies into the body through the VibroAcoustic bed. At this time I am still working with these tones, learning about them and observing their effects on my own body and those who experience them. I do not claim to be an expert, thus I have included an excerpt from an article written by someone who has considerable knowledge on this topic. The link to the full article, which is completely fascinating, is at the end of this piece.
- Roberta
What Are the Ancient Solfeggio Frequencies?
Excerpted from an article by David Hulse
These original sound frequencies were apparently used in ancient Gregorian Chants, such as the great hymn to St John the Baptist, along with others that church authorities say were lost centuries ago. The changes and their special tones were believed to impart tremendous spiritual blessings when sung in harmony during religious masses. These powerful frequencies were rediscovered by Dr Joseph Puleo as described in the book Healing Codes for the Biological Apocalypse by Dr Leonard Horowitz. I give honour to both of these gentlemen for the part they’ve played in helping return these lost frequencies back to humanity.
The six Solfeggio Frequencies include:
UT – 369 Hz – Liberating Guilt and Fear
RE – 417 Hz – Undoing Situations and Facilitating Change
MI – 528 HZ - Transforming and Miracles (DNA repair)
FA – 639 Hz – Connecting/Relationships
SOL – 741 Hz – Awakening Intuition
LA – 852 Hz – Returning to Spiritual Order
For example, the third note, frequency 528, relates to the note MI on the scale and derives from the phrase “MI-ra gestorum” in Latin meaning “miracle”. Stunningly, this is the exact frequency used by genetic biochemists to repair broken DNA – the genetic blueprint upon which life is based!
According to Professor Willi Apel, “The origin of what is now called Solfeggio…arose from a Mediaeval hymn to John the Baptist which has this peculiarity that the first six lines of the music commenced respectively on the first six successive notes of the scale, and thus the first syllable of each line was sung to a note one degree higher than the first syllable of the line that preceded it. By degrees these syllables became associated and identified with their respective notes and as each syllable ended in a vowel, they were found to be peculiarly adapted for vocal use. Hence “Ut” was artificially replaced by “Do”. Guido of Arezzo was the first to adopt them in the 11th century, and Le Marie, a French musician of the 17th century added ‘Si” for the seventh note of the scale in order to complete the series”.
Further research states that Pope Johannes later became a saint – St Johannes – and then the scale was changed. The seventh note “Si” was added from his name. “Si” later became “Ti”. These changes significantly altered the frequencies sung by the masses. The alterations also weakened the spiritual impact of the Church’s hymns. Because the music held mathematic resonance, frequencies capable of spiritually inspiring mankind to be more “Godlike” the changes affected alterations in conceptual thought as well, further distancing humanity from God”. In other words, whenever you sing a Psalm, it’s music to the ears. But it was originally intended to be music fo rthe soul as well or the “secret ear”. Thus by changing the notes, high matrices of thought and to a great extent well being, was squelched. Now it is time to recover these missing notes”.
Looking at the definitions of each of the original syllables, using hidden entries from Webster’s Dictionary and the Original Greek Apocrypha, I have determined that these original frequencies can be used for: Turning grief into joy, helping the person connect with their Source to bring forth miracles, DNA repair, connecting with spiritual family, solving situations & becoming more intuitive, and, finally, returning to spiritual order. Through music these tones can assist all the channels in staying open and keep the life force (the Chi) flowing through the Chakra System quite freely. Is this is what the six electromagnetic frequencies were to accomplish that were put into “lost” hymns and Gregorian Chants?
To read this article in its entirety please go to:
http://www.redicecreations.com/specialreports/2006/01jan/solfeggio.html
